When I started photographing, about 30 years ago, I was mostly interested in nudes. Today, when I look at these photographs, it seems to me that the vast majority of them no longer talk to me,  that they have not stood the test of time. It’s completely normal – I’m already in a different place and they stay at the time they were made. I decided to photograph some of the  contact shets – they are a trace of my old work, a historical archive, but also a completely new object deprived of its former purely utilitarian function.